Adapted from the story "The Umbrella Thief" by Sri Lankan author Sybil Wettasinghe, this work tells the tale of Kirimama, who lives in a village without umbrellas and goes to the city to buy an umbrella. As Kirimama repeatedly loses her/his umbrella, (s)he undergoes changes, leading her/him to question what is truly important not to lose. With animative movements, mime, and playful wordplay, this warm story feels like watching a cartoon.

• 2024 Seoul Arts Center / Invitation to the Children's Family Festival
• 2023 ACC Culture Center / ACC Children's Performance Repertoire
• 2020 ASSITEJ Winter Festival - Winner of the Grand Prize, Directing Award, and Audience Award at the Seoul Children's Theatre Awards
• 2020 ASSITEJ International Summer Festival
• 2019 ACC Children's Theatre / Children's Theatre Festival for Disabled Children

This performance adds imagination to the relationships between the boy, the old man, and the marlin from Hemingway's The Old Man and the Sea. It is a performance for all ages, from children to seniors, depicting the fantastical tale of a rough sea adventure through storytelling, objects, music, and movement.

• 2025 NC Cultural Foundation NC Hall / ASSITEJ Winter Festival
• 2023 Hwacheon Art Tutbat Theater
• 2023 Byeolbyeol Theater / Growing Together Theatre Project

This performance, developed as part of the National Theatre Company's Theatre for Early Years creative research workshop, is designed for infants aged 36 months and under. It begins with the question: If we were to condense the Earth’s 4.6 billion-year history into one year, what would spring, summer, autumn, and winter look like? Over the course of 30 minutes, the performance revisits the history of the Earth. What can babies tell us about the mysteries of the universe? Welcoming newly born infants, as well as adults who are equally newly born in the context of the Earth's history, this performance aims to create an intellectual playground for babies and their families.

• 2022 National Theatre Company of Korea, Small Theatre Pan / Theatre for Early Years - Performance Showcase

A creative performance based on the folktale "The Story Pouch," the legend of Seolmundae Halmang(Grandmother), and story about Haenyeo (Korean female diver). This storytelling theatre is enjoyed with live performances featuring Korean traditional instruments such as the korean drum, Janggu(A drum with an hourglass shape, played with two sticks), Jing( (a large brass gong)), and Gayageum(Zither with 12 strings), making it a delightful experience for families.

• 2022 Seoul Arts Center, National Gugak Center / Saturday National Music (Gukak)

Actors and audience members become Sinbad, shouting this magical phrase “Beshaw!” as they enjoy the adventure together. The story unfolds through exciting adventures, culminating in the tale of the birth of the Arabian Nights.

• 2015 Arko Arts Theatre / ASSITEJ Summer Festival
• 2022 "Camptorytelling Beshaw Sinbad," Yangcheon Park Book Rest Area / Yangcheon-gu Autumn Cultural Festival

This Theater film tells the story of Shakespeare's Hamlet for children using diverse objects as storytelling tools, presented in the format of a web drama with four episodes. It was filmed at the Jongno Children's Theatre and its surroundings, which were locked down during the pandemic.

• 2021: Jongno Cultural Foundation Art Education Online Theatre

From the adventures and myths of the wizard Odin to Hans Christian Andersen's lesser-known fairy tales and stories passed down from the Celts, this storytelling journey takes audiences to the Northern Hemisphere with the storytellers.

• 2020 Byeolbyeol Theatre
• 2020 Chungju Gwana-dong Fairy Tale Hall
• 2016 Gwacheon Citizens’ Hall / 10th Seoul Creation Space Theatre Festival

It's about the hearts of the Indians, despite losing their land to white settlers, choose to call them "brothers who refuse to be our brothers" instead of "enemies." The performance delves into the lives of those who still share their stories of their origin with future generations.

• 2018 ASSITEJ Summer Festival
• 2015 Seoul Citizens’ Hall Basrak Hall
• 2015 Sowol Art Hall

Set in a modern small studio apartment, this performance unfolds the tales of love, war, and adventure as six celestial beings descend from the white jade palace of heaven to the human world. A witty adaptation of the late Joseon Dynasty novel "Okrumong", it features six actors who use their bodies and diverse everyday objects to portray over dozens of characters, bringing the story to life.

• 2023 Mia-ri Gogae Arts Theatre / 2023 Seoul Future Theatre Festival
• 2022 Sanwoolim Theatre / 2022 Sanwoolim Classic Theatre

This one-person show transforms any space with a mic into a stage. Actors step outside the theater to connect with the audience, presenting a storytelling theater experience with a drink after work. Taking place in bars and alternative spaces located in bustling areas, each week features a different two storytellers sharing two stories.

• 2023: Dionysus Lounge

This immersive lecture performance shares the process of exploring "the poverty of artists" with the audience. Using the Russian novel, poetry, and essays of the same name as source texts, it artistically explores a philosophical discourse on poverty using documentary materials. Through games and discussions with the audience, it encourages reflections on the concept and definitions of poverty, the criteria for wealth in contemporary society.

• 2019 Namsan Arts Center / Searchlight

This work is an adaptation of Johann Wolfgang von Goethe's lifelong writing, Faust. The term "Goetheustpheles" combines the names Goethe, Faust, and Mephistopheles, and the character of Goethe also appears in the performance. Centered around the line, Humans keep wandering as long as they strive.” It depicts Faust's determination to rise gain despite the failures and frustrations encountered in life.

• 2017 Daehak-ro Hyehwadang Theater

This performance is adapted from The Vagina Monologues, interviews conducted by playwright, poet, and social activist Eve Ensler with 200 women. It addresses themes of “freedom” and “oppression” through discussions about women's bodies.

• 2017 Heesumjeong / Seoul Creation Space Theater Festival

Adapted and translated by director Yena Gim, this work examines the questions: “What attitude do we need while living in poverty, pain, numerous contradictions, and ironic lives?” and “Are sacrifices and understanding greed?” It features the use of Bertolt Brecht's poetry as dialogue. The physicality, sounds, and movements of the characters in this performance create a distinctive and special atmosphere.

• 2017 Arko Grand Theater
• 2016 Daehak-ro Arts Theater Studio Haneul / Showcase

Based on the adventures of Baron Munchausen, this work explores the theme of "Munchausen syndrome. It shows how much people can waver with lies and truths, encouraging audience to think about what the real truth is through the concept of 'bluffing.'"

• 2016 Culture Station Seoul 284

An immersive storytelling performance inspired by Arthur Conan Doyle's "A Study in Scarlet." The audience gathers in a whiskey bar to hear tales of a murder case. Through the narratives told by four storytellers, they experience the first meeting of Holmes and Watson and search for clues at the crime scene filled with mysteries.

• 2016 Sangsu Station Rabbit Hole / 11th Seoul Creation Space Theater Festival

A discussion theater piece inspired by the Mafia game. What does it mean to be a citizen in modern society? Through given keywords, scenes are created through improvisation with audience participation, discussing mafia-like behaviors and civic consciousness that occur in social and everyday life.

• 2015 Dongsoong Stage / 4th One-Act Play Festival Planning Meeting
• 2014 Book Café Mongdang / 8th Seoul Creation Space Theatre Festival

Knots have existed since before the word. Knots that serve practical purposes while also embodying abstract meanings and mythical beliefs. This performance, inspired by the book ‘Ashley-Buch der Knoten (1944)’, which introduces over 2,000 types of knots, explores the various meanings and symbols of knots with dance and play. Diverse participants, including high school graduate, a history teacher, an art student, a physical therapy major, a German literature major, a working holiday traveler, and both Koreans and Germans, feature in the performance.

• 2011 Michael Chekhov Theater, Berlin / Theater Forum Kreuzberg

The story follows Song Yoon-kyung, a woman who experienced three miscarriages and confirmed her existence through a daughter born from her husband and another woman. She boards the Trans-Siberian train to see Lake Baikal, a place her husband frequently visited. The stories of the characters, who cannot communicate with each other in this foreign land, are told through brief dialogues and long monologues. This performance encourages the audience to consider the symbolism of Matryoshka.

• 2018 Arko Arts Theater, Small Theater / Invited to 'Peach Blossom Festival'

An elderly man lives alone and his mother (a ghost) lives beneath the squat toilet, only seeing her son's anus. One day, the elderly man’s son, daughter-in-law, and granddaughter come to visit after a long time. Here’s the translation of your sentence into English: This performance lead audience to consider what kind of family-spirit is needed in this super-aged society and what the essence of relationships is.

• 2015 Arko Arts Theate / Spring Literary Contest Short Play Festival

While waiting for Godot, who may never come, five minutes, a day, or even thirty years might pass. This adaptation of Samuel Beckett's ‘Waiting for Godot’ shifts focus from the lonely pain of waiting for Godot to noticing the person beside you. During meaningless exchanges, who is it that hugs me and drapes their coat over me?

• 2014 Art Space Hyehwa /the Seoul Theater Festival 'Future, Rise Up'
• 2013 Picasso Theater, Yeoju Ogok Nar Festival

This two-person road theatre explores the theme of 'Future Walk (Into the Future)'. Adapting parts of Ryu Si-hwa's emblem book 'Fables of Life', the audience enjoys the performance while strolling around house number 17 and writing poetry together.

• 2021 Daejeon Soje-dong
• 2020 Daejeon Soje-dong

Actors and staff confess about the "monster" within themselves in various spots around the theater lobby. This work invites the audience to reflect on the monsters that reside within them.

• 2015 Seongsu Art Hall / Free participation in the Emerging Directors Festival

Using stairs, elevators, and terraces of the space, the audience engages their five senses, experiencing splashes of water, scents, and tastes on a journey into the Arabian Nights.

• 2014 Daehakro Arts Theater / Marronnier Summer Festival
• 2013 Daehakro Arts Theater / Marronnier Summer Festival

This road theatre version of "Are You Waiting for Godot?" takes the audience on the subway to search for Godot with the actors. Actors and audiences share the experience of waiting for the signal to change, the subway to arrive during the journey from Gwanghwamun Station to Han River Park.

• 2013 7th Seoul Creative Space Theater Festival